Subconscious mind

My subconscious has a mind of its own.
So there is the conscious , subconscious and the higher conscious .
the subconscious is the dream world, the conscious is everyday waking up awareness and the higher conscious is now another story. I wont even get into that , I would o on and on, maybe another time. Currently I am watching The Batman, very interesting, it plays a lot with the idea of mind power and subconscious, so for example, one of the episodes of the animated series, The Joker kidnaps Yen the detective - who is a friend of The Batman , He ties her up to a toy that would explode in a certain amount of time. The Batman needs to find out soon enough Where Detective Yin is kept before she is blown into pieces.
After a long exciting chase, Joker is caught, but he is refusing to speak. He has a strong will and a strong mind and wont give in to The Bat. So Batman tapes into the Joker's brain wave lengths and goes into the Joke's head, there a very interesting battle happens, the battle of the minds... Batman almost goes crazy, Joker fucks so bad with the Batman's brain, so what does our hero do?? he drags the Joker into his own mind, that is , Batman drags the Joker into Batman's head. There the Bat really fucks with Joker's mind, he totally drives him crazy and finds out where the captured detective is, he saves her life at the last second.
Yesterday I saw another episode about this enlightened man with a corrupt soul, he is after a special Gem, he has strong mind powers, the way he fights is by controlling people's minds, he controls first the butler's minds so they go and steel valuables from the homes hey work in and deliver it to him, he even hypnotizes Bruce Wane's butler , who steels from his master and even fights with the Batman. When the Mind Master meets the Bat a mind fight takes place. The mind master creates all kinds of illusions in the Batman's mind. The Batman keeps on saying to himself : " a strong mind sees only its own reality". and eventually is able to defeat the Mind Master and scare the shit out of him by the reality he created for him.
Quite profound , I think, no??

Moon Over Buffalo sound design

I'm have been working on the sound design of a play called Moon Over Buffalo . I am finishing up the work. I totally enjoyed learning about the music of the 50s , every time I work on a play I learn so much. At the beginning it is hard to absorb music I am not used to, but eventually it grows on me and I learn to love it. I am almost done. There was a last minute change that I put in yesterday, I worked for 9 hours straight, but that is OK because I love this kind of work. It seems like I cannot have enough of it. I only slept 3 hours last night, so I am exhausted and I had to miss the rehearsal - which is unfortunate because I just love attending the rehearsals.
So the suggested change was around the 1st song in the curtain call. Check it out below in the mp3 player widget. I have 3 versions here. The truth is that I am not fond of the last version, I dont find that the first song fits well within the overall context musically. It sounds very different that the rest of the music in the other pieces. Unlike most of the music that I used in this production this song is not from the 50s (I think it is from the 30s at least). I actually like the song, I can totally see why the director wants it there, I am just concerned that with the applause people wont get to hear it. I also dont find that it has enough energy for a curtain call song, where I would like to capitalize on people's energy and excitement and pump more into it with the music. This one it is not grand enough, especially for this high energy farce about crazy melodramatic theatre actors .
Anyway, I like giving options to directors I work with , I am offering the 3 choices and eventually the director gets to pick the one that will end up on the show.
Let's see what he will say. Maybe we will end up with a 4th piece. :)

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Moon Over Buffalo
From Wikipedia, the free encyclopedia
Moon Over Buffalo is a comedy by Ken Ludwig set in Buffalo, New York in 1953.

Characters
* George Hay, a traveling actor.
* Charlotte, George's wife and actress in his company.
* Rosalind, George & Charlotte's daughter, who left the stage to lead a "normal" life.
* Howard, a TV weatherman and Rosalind's fiancé.
* Paul, stage manager for George's company, and Rosalind's ex-fiancé.
* Ethel, Charlotte's nearly-deaf mother.
* Richard, a lawyer who is courting Charlotte.
* Eileen, an actress in George's company who is George's "mistress".

Overview
Moon Over Buffalo relies heavily on situation comedy for its humor, as well as some sexual innuendo and a little slapstick. The actor who plays George, in particular, must be able to deliver a highly physical performance; George engages in a mock fencing match with Charlotte, a wrestling match with Howard, and a stunt fall into the orchestra pit. The action and dialogue are fast-paced, as the characters are constantly bickering or frantically trying to resolve some confusion.

George and Charlotte Hay, traveling actors, are performing Cyrano de Bergerac and Private Lives in a repertory theatre in Buffalo. Charlotte has grandiose dreams of becoming a Hollywood film star; George, on the other hand, is quite satisfied as a stage actor, and sees live theatre as being superior to film.

George receives a phone call from Frank Capra, a very famous film director, who says that he needs replacements for the two stars of his current film, The Scarlett Pimpernel, and that he plans to see one of George's shows and consider George and Charlotte for the parts. Charlotte, however, doesn't believe George when he gives the news; she has just learned that George has had an affair with one of their actors, Eileen, and that Eileen is pregnant with George's child. To further complicate issues, one of the actors in George's company walks out. Soon after, Charlotte leaves George and the company to be with Richard, the successful and charismatic lawyer. George, despondent, gives up hope and turns to alcohol to drown his misery.

When Charlotte hears the news about Capra losing his actors, she returns to the theatre, only to find that George has left. Charlotte and Rosalind, her daughter who has recently come to visit, contact all the bars in the city, looking for him. They can't find him, but Charlotte does meet Howard, Roz's new fiancé, whom Charlotte's hard-of-hearing mother mistakenly introduces as Frank Capra. Thinking that Howard is the famous director, Charlotte gives him the "red carpet" treatment, for which Howard is grateful, but confused. And when George returns, he believes that Howard is actually Eileen's brother, seeking revenge for George's affair with Eileen. In what he thinks is self-defense, George ties up the innocent Howard and locks him in a closet.

When Charlotte and Roz finally meet George again, they try to get him prepared for the afternoon's showing of Private Lives, which Capra intends to see. George, in his drunken stupor, decides he would rather do Cyrano, and dresses appropriately. The resulting show is a disaster, as George is several minutes late to arrive onstage and in the wrong costume and character. In the end, Howard, still bound in ropes, hops onstage and calls out for help; then George falls into the orchestra pit, twisting his leg and presumably breaking a few instruments.

After the show, a sober George offers his apology to Howard. Howard is not satisfied, though; his encounter with Roz's parents frightened him away from staying engaged to Roz. He announces that he and Eileen have decided to get engaged instead, and eagerly plan to start a family right away. Howard isn't aware that Eileen is already carrying George's child, but Eileen seems satisfied to keep him in the dark. Paul, now that Roz is now single, takes the opportunity to (almost literally) sweep her off her feet, and they get engaged again on the spot. Charlotte forgives — or at least forgets — George's infidelity and decides to stay with him instead of Richard. Finally, in a deus ex machina-like plot twist, Capra himself calls to say that he missed the afternoon performance and will instead see the show in the evening, thus allowing George and Charlotte another chance at Hollywood stardom.

Production
Moon Over Buffalo opened on Broadway at the Martin Beck Theatre on October 1, 1995, where it ran for 309 performances, after 22 previews and an out-of-town tryout in Boston.

A video, Moon Over Broadway, was made, following the show through the rehearsal period and the Broadway opening.